Music · Sound Design · Interactive Media
Daniel Kalantari
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Biography

Composition, written and computed

Algorithmic and computational thinking run through both his acoustic scores and his electronic systems — not two separate practices, but one continuous way of composing.

Daniel Kalantari is a Germany-based multimedia composer, sound designer, visual artist, and educator. His work brings together contemporary composition, electroacoustic music, AI and machine learning, digital notation, interactive light, and immersive audiovisual environments.

Working across acoustic instruments, live electronics, sensors, code, and generative visual systems, he creates performances and installations in which sound, image, space, and technology actively influence one another. His practice includes electroacoustic works, real-time and digital scores, audio-reactive visuals, interactive light installations, and immersive 3D environments developed with tools such as Max/MSP/Jitter, Python, and Unreal Engine.

Kalantari's works have been performed in Germany, Sweden, and Iran by musicians and ensembles including Ensemble APPARAT, the Göttingen Baroque Orchestra, and tuba player Jack Adler-McKean. His work is published by Edition Gravis.

He is currently completing an M.A. in Music Composition at the Hochschule für Musik Detmold and works at the ZeMFI Center, where he develops projects at the intersection of music, technology, and performance. He also previously studied at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK Frankfurt). Alongside his artistic practice, he teaches composition, electronic music, and creative technology.

Compositions

Scores written across ensembles and mediums

A catalog spanning solo works, chamber ensembles, and real-time electroacoustic systems — performed internationally and published by Edition Gravis.

2025
Echoes of a Simulated Dream
Trombone, live electronics & visual art
↗ Second recording
2025
Voice of the Unfolding
Trumpet, live electronics & visual art
2024
Glitch
Flute & live electronics
2024
Nihility
Trio for amplified Bass Flute, Baritone Saxophone & Bassoon
2024
Dystopia
Trio for Amplified Baritone Saxophone, prepared Harp & Double Bass
2023
Artificial Sky
Solo Flute
2023
Real-Time Score for AI
Electronics
2022
Four Seasons in Climate Change (Spring)
Solo Violin, Violin I & II, Viola, Cello, Double Bass & Basso Continuo
2021
We Are Here Because We Are Here
Solo Tuba in F (6 Valves)
2021
Metamorphosis II
Guitar & live electronics
2019
Implications
Bass Flute, Horn in F, Tuba, Piano & Percussion
2019
Initial Condition
String Quartet
2018
Mada
Live electronics, sensors & visual art
2017
Frozen Life
Cello & live electronics
2015
Metamorphosis I
Trombone & live electronics
2015
Unsicherheit der Ordnung
Solo Piano
News

What's new

Premieres, publications, and ongoing projects — updated as things happen.

2026
Echoes of a Simulated Dream — Premiere

Performed at Vortragsabend — Ensemble APPARAT, organized by Hochschule für Musik Detmold (HfM Detmold).

2022
Four Seasons in Climate Change (Spring) — Premiere

Premiered at the Four Seasons in Climate Change festival, organized by Göttingen University, Germany.

2022
Four Seasons in Climate Change (Spring) — Published

Published by Edition Gravis, Germany.

↗ Edition Gravis
2022
We Are Here Because We Are Here — Premiere

Performed at Jack Adler-McKean På Musikhögskolan, organized by Lund University, Lund, Sweden.

↗ Details
2021
We Are Here Because We Are Here — Published

Published by Edition Gravis, Germany.

↗ Edition Gravis
2018
MADA — Premiere

Performed at the Persian Fallow Deer festival, organized by Da Show House, Tehran, Iran.

2015
Metamorphosis — Premiere

Performed at Tadaex, organized by Tadaex Festival Group, Tehran, Iran.

↗ Details
Open To Collaborate

Got a project in mind?

Film, game, installation, or live show — if sound needs to lead the story, let's build it together.

Let's Make Something

Tell me about your project

Film, game, installation, or live show — send a brief and any reference material, and I'll follow up within two business days.