Multimedia Music Composer

Daniel Kalantari

Acoustic, electronic, and immersive audiovisual work for stage, screen, and space.

CompositionLive ElectronicsVisual ArtImmersive EnvironmentsAI & Machine LearningMax/MSP CompositionLive ElectronicsVisual ArtImmersive EnvironmentsAI & Machine LearningMax/MSP

Multimedia Composer

Daniel Kalantari is a Germany-based multimedia composer, sound designer, visual artist, and educator. His work brings together contemporary composition, electroacoustic music, AI and machine learning, digital notation, interactive light, and immersive audiovisual environments.

Working across acoustic instruments, live electronics, sensors, code, and generative visual systems, he creates performances and installations in which sound, image, space, and technology actively influence one another. His practice includes electroacoustic works, real-time and digital scores, audio-reactive visuals, interactive light installations, and immersive 3D environments developed with tools such as Max/MSP/Jitter, Python, and Unreal Engine.

Kalantari’s works have been performed in Germany, Sweden, and Iran by musicians and ensembles including Ensemble APPARAT, the Göttingen Baroque Orchestra, and tuba player Jack Adler-McKean. His work is published by Edition Gravis.

He is currently completing an M.A. in Music Composition at the Hochschule für Musik Detmold and works at the ZeMFI Center, where he develops projects at the intersection of music, technology, and performance. He also previously studied at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK Frankfurt). Alongside his artistic practice, he teaches composition, electronic music, and creative technology.

Sound

Acoustic instruments, live electronics, and electroacoustic composition.

Visual

Generative systems, audio-reactive visuals, and digital scores.

Immersion

Installations and environments where sound, image, and space interact.

Tools

Max/MSP · Python · JavaScript · AI/ML · Unreal Engine · Sensors

Works

Echoes of a Simulated Dream

2025

Echoes of a Simulated Dream
Trombone, live electronics & visual art
Voice of the Unfolding

2025

Voice of the Unfolding
Trumpet, live electronics & visual art
Glitch

2024

Glitch
Flute & live electronics
Nihility

2024

Nihility
Bass flute, bari sax & bassoon
Dystopia

2024

Dystopia
Bari sax, prepared harp & double bass

2023

Artificial Sky
Solo flute

2023

Real-Time Score for AI
Electronics

2022

Four Seasons in Climate Change
Violin, strings & basso continuo

2021

We Are Here Because We Are Here
Solo tuba in F

2021

Metamorphosis II
Guitar & live electronics

2019

Implications
Bass flute, horn, tuba, piano & percussion

2019

Initial Condition
String quartet

2018

Mada
Live electronics, sensors & visual art

2017

Frozen Life
Cello & live electronics

2015

Metamorphosis I
Trombone & live electronics

2015

Unsicherheit der Ordnung
Solo piano

News

2026 · Premiere

Echoes of a Simulated Dream

Ensemble APPARAT · Detmold

2022 · Premiere

Four Seasons in Climate Change

Göttingen University festival

2022 · Published

Four Seasons in Climate Change

Edition Gravis, Germany

Edition Gravis ↗

2022 · Premiere

We Are Here Because We Are Here

Lund University, Sweden

2021 · Published

We Are Here Because We Are Here

Edition Gravis, Germany

Edition Gravis ↗

Shop

Coming soon

Open to Collaborate

Film, game, installation, or live show — if sound needs to lead the story, let’s build it together.

Or write directly: daniel.kalantari89@gmail.com